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I've been running a series over on Bluesky, a photo album of the people in Daisy Lampkin's life. The breadth of her social connections, her activist allies, and her political networks is breathtaking. The following give some sense of that scope, and how she (and others) overlapped their community and national networks, enriching both. Follow along for more on my Daisy Lampkin biography project. Racketeer, investor, benefactor, and owner of the Pittsburgh Crawfords, Gus Greenlee was a central figure in the development of the vibrant community known as "the Hill" where Daisy lived. His famed Crawford Grilles incubated much of the musical talent that flowed out of Pittsburgh in the 1930s-60s. Most of the photographs in this series were taken by the great Charles "Teenie" Harris. "One-Shot," they called him, Teenie was a photographer for the Pittsburgh Courier. He was also Woogie Harris's brother. Tens of thousands of his photos are searchable at: https://carnegieart.org/art/charles-teenie-harris-archive/ Lampkin became regional organizer for the NAACP in 1929, then national field secretary in 1937. In 1931, under her organization, the national conference was held in Pittsburgh. Here she is in front row in white with hat. W.E.B. DuBois sits to her direct left, Walter White five more seats to her left. Lampkin maintained prodigious political connections, beginning when she was twice named as a delegate to 1924 and '28 GOP presidential nominating conventions, the first African American woman so honored. Here legendary Pgh. Mayor David Lawrence fetes her at a 1957 banquet in her honor, along with Thurgood Marshall, Jesse Vann, and Roy Wilkins.
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AuthorI am an editor and historian of US history, diplomacy, and international relations. Archives
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Why empire?This blog presents new scholarship on American empire, places the American experience in a broader and global imperial context, explores imperial habits throughout American society and culture, uncovers the imperial connections between the foreign and the domestic, and develops “empire” as a critical perspective.
At least two features in the American experience are clarified through the lens of American empire: First, we better understand persistent social inequities in a nation professing a fundamental commitment to equality. Second, even a cursory glance at American history makes plain the chronic violence at the center of US foreign policy, which frequently mounts or supports bloody military conflict abroad. Empire helps us recognize how and why the United States seems to be constantly at war--including often with itself--with all the foreign and domestic consequences thereof. |
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