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<channel><title><![CDATA[FractalPast - Old Blog]]></title><link><![CDATA[https://www.fractalpast.com/old-blog]]></link><description><![CDATA[Old Blog]]></description><pubDate>Mon, 08 Jun 2026 06:39:10 -0400</pubDate><generator>Weebly</generator><item><title><![CDATA[Privatizing Empire: An Appreciation of Emily Rosenberg]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/privatizing-empire-an-appreciation-of-emily-rosenberg]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/privatizing-empire-an-appreciation-of-emily-rosenberg#comments]]></comments><pubDate>Thu, 22 Jun 2023 17:01:49 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/privatizing-empire-an-appreciation-of-emily-rosenberg</guid><description><![CDATA[&#8203;Any short list of my favorite diplomatic historians has to include Emily Rosenberg. Rosenberg is a pioneering historian in multiple dimensions, including her&nbsp;Spreading the American Dream&nbsp;(Hill &amp; Wang, 1982), one of the important early depictions of &ldquo;Americanization&rdquo; (more on that later); in her work on gender and diplomacy, helping to center gender even in &ndash; especially in -- the mighty halls of international power; and, most germane to one of our current co [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>&#8203;</span><span>Any short list of my favorite diplomatic historians has to include Emily Rosenberg. Rosenberg is a pioneering historian in multiple dimensions, including her&nbsp;</span><em>Spreading the American Dream</em><span>&nbsp;(Hill &amp; Wang, 1982), one of the important early depictions of &ldquo;Americanization&rdquo; (more on that later); in her work on gender and diplomacy, helping to center gender even in &ndash; especially in -- the mighty halls of international power; and, most germane to one of our current conversations, her scholarship on the&nbsp;</span><strong><em>privatization</em><span>&nbsp;of American power.</span></strong></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">A work that deserves a much wider readership is her <em>Financial Missionaries to the World</em> (Duke, 2003.) Here Rosenberg highlights an essential theme for this blog: the crucial distinction -- in America generally and in U.S. policy both foreign and domestic -- between the public and the private. We have been discussing public goods, and we have already considered how Americans generally regard conventional diplomacy as a public good, one that often carries overtones of regret, even distaste. As <em>Financial Missionaries to the World</em> shows, one particular genius of U.S. foreign policy has been to <strong>relocate many of diplomacy&rsquo;s activities and aims to the realm of private goods</strong>, subject to private considerations, making those aims more palatable (for some) but also removing foreign policy from democratic accountability.</div>  <div class="paragraph"><a href="https://www.amazon.com/Financial-Missionaries-World-Encounters-Interactions/dp/0822332191/ref=sr_1_4?crid=1478YQJ5XM6UJ&amp;keywords=financial+missionaries&amp;qid=1687453445&amp;sprefix=financial+missionaries%2Caps%2C138&amp;sr=8-4">Financial Missionaries to the World: The Politics and Culture of Dollar Diplomacy, 1900&ndash;1930 (American Encounters/Global Interactions): Rosenberg, Emily S.: 9780822332190: Amazon.com: Books<br /></a></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/183392003.jpg" alt="Picture" style="width:100%;max-width:333px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>Throughout the 19th and well into the 20th century, a primary concern of U.S. foreign policymakers was to <strong>maintain stability, economic as well as political, in Latin America</strong>. American commercial and financial interests maintained investments that needed to be safeguarded from the political unpredictability that pervaded the region (due, it must be said, most often to the ongoing intervention of American and European quasi-colonial interference.) This was accomplished, among other means, by dozens of American military interventions into the region well into the 1930s, all of which, according to our terminology, constituted extensions of public American power. It was those &ldquo;other means,&rdquo; however, that Rosenberg highlighted so well.</span><br /><span>&nbsp;</span><br /><span>Rosenberg offered in exquisite detail a history of what is still known in the textbooks as &ldquo;dollar diplomacy.&rdquo; Once the great silver onslaughts of the late 19th century had been beaten back, a broad and stable consensus prevailed, at least until the great depression of the 1930s, that the gold standard fostered monetary stability, which in turn promoted trade and allowed for the secure extension of credit, both permitting greater industrial expansion. Gold, its adherents maintained, comprised a common standard that made the same rules applicable to all. <strong>If foreign governments could be persuaded (or forced) to adapt their economic systems to gold, a disciplinary mechanism would be imposed, curtailing the highly inflationary monetary whims of unscrupulous leaders.</strong> Regulating and regularizing markets through the miracle of the gold standard&rsquo;s stabilizing factors would eliminate abuses by local elites, warlords, and irresponsible financial predators. &ldquo;Dollar diplomacy was managerial capitalism taken offshore,&rdquo; Rosenberg explains.</span><br /><span>&nbsp;</span><br /><span>The State Department had no mechanism to force the adoption of the gold standard. But developing countries throughout Latin America were always much in need of capital, which meant that American loans were always very much wanted. If those loan contracts could be drawn up in such a way as to mimic gold &ndash; that debtor nations would have to agree to rigid repayment terms, maintenance of currency standards, and so forth &ndash; much the same outcome could be achieved. <strong>Secure loans repaid by stable currencies would make those loans good as gold, imparting the fiscal disciplines on foreign regimes necessary to allow markets to function.</strong> Dollar diplomacy, in other words, aimed to &ldquo;rehabilitate foreign economies through loan controls in private contracts.&rdquo; Integration into global markets would, so it was confidently asserted, bring uplift and development to all. Capitalism would bring civilization, but first discipline had to be imposed. What we have, in other words, is the coming together of capitalism and imperialism, in the form of the gold standard&rsquo;s proxy, the dollar</span><br /><span>&nbsp;</span><br /><span>The heart of Rosenberg&rsquo;s book details the development of a stratagem whereby the State Department would foster (and foist)&nbsp;</span><em>private</em><span>&nbsp;loans from American banks onto Latin American regimes. Such loans carried with them the promise of increased trade and the guidance of American economic experts. But they came laden with a host of demands, including monetary stability, and with strict repayment terms. Expert guidance, as Rosenberg painstakingly reconstructs, came to amount to <strong>&ldquo;financial supervision.&rdquo;</strong> Breaking the provisions of the loans would and could be financially ruinous, and might even call for a military intervention. In short, as any good loan shark knows, dollar diplomacy created dependency. <strong>A new form of political control had been invented, via private means</strong>, precisely at the time, shortly after the Filipino-American War, when the appetite for direct imperial control, had collapsed. Dollar diplomacy moved imperial supervision out of the realm of conventions and treaties and into the private world of&nbsp;</span><em>contract.</em><span>&nbsp;Congressional approval, and hence public scrutiny, was thus bypassed.</span><br /><span>&nbsp;</span><br /><span>Foundational to the scheme was not only the financial and political terms to which Latin American governments were obliged to bend. It was the fact that the loans themselves were proffered by private banks, <strong>operating ostensibly in the sole interest of private profit seeking.</strong> In this way the State Department maintained a type of plausible deniability, allowing Washington to &ldquo;extend U.S. influence by using bankers rather than Marines." The relationship turned on the fact that there existed a revolving door between the Senate, the State Department, and the big Manhattan banks at the center of the arrangement: all the players knew each other, mingled socially, went to the same schools, sat on each others&rsquo; boards, hired each other. Of course, in due time, military intervention would be required to enforce the terms of the contracts, to protect vulnerable customs houses, and to guard against populist coups that threatened to invalidate the contracts. But in America, public power has always, and seemingly, is always, available to safeguard private interests at public expense.</span><br /><span>&nbsp;</span><br /><span>American imperial influence abroad can be carried at the point of a bayonet. The State Department and the Pentagon have mechanisms enough for formal demonstrations of force. But throughout U.S. history, and accelerating in the 19th century, <strong>much American influence has been carried on by private interests</strong>. In this way it remains hidden from view, but is no less efficacious for the disguising. American culture makes a sharp distinction between <em>private power</em>, to which we historically have wanted to give as wide a compass as possible, and <em>public power</em>, about which since 1776 we maintain tremendous reservations. Privatization is a way out of this impasse for ambitious Americans, offering means to exercise immense power abroad while protecting its operations from view, or at least from scrutiny -- though it is almost certainly the case that such disguising works much more effectively to hide power from Americans than from the non-Americans so often its object. Emily Rosenberg&rsquo;s work, which we will feature again, decisively helps us understand the operations of this power.</span><br /><span>&nbsp;</span><br /><strong>Further reading:</strong><span>&nbsp;Emily Rosenberg,&nbsp;</span><em>Financial Missionaries to the World</em><span>&nbsp;(Duke, 2003)</span></div>]]></content:encoded></item><item><title><![CDATA[Public and Private Spheres in U.S. Foreign Relations: How to Hide an Empire]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/public-and-private-spheres-in-us-foreign-relations-how-to-hide-an-empire]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/public-and-private-spheres-in-us-foreign-relations-how-to-hide-an-empire#comments]]></comments><pubDate>Mon, 19 Jun 2023 03:37:39 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/public-and-private-spheres-in-us-foreign-relations-how-to-hide-an-empire</guid><description><![CDATA[We&rsquo;ve been discussing public goods recently and will continue to expand on that theme going forward. Let&rsquo;s make an initial stab at what public goods have to do with U.S. foreign relations and with American empire. At first glance, the answer is obvious, if pedantic: the instruments of statecraft are public goods. Economic aid (or sanction), real or threatened military action, diplomacy itself, all of these activities &ndash; goods and services, if you like &ndash; are pursued and pro [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>We&rsquo;ve been discussing public goods recently and will continue to expand on that theme going forward. Let&rsquo;s make an initial stab at what public goods have to do with U.S. foreign relations and with American empire. At first glance, the answer is obvious, if pedantic: the instruments of statecraft are public goods. Economic aid (or sanction), real or threatened military action, diplomacy itself, all of these activities &ndash; goods and services, if you like &ndash; are pursued and provided by the government, under the collective umbrella of &ldquo;U.S. interests.&rdquo; Many of the instruments of our statecraft operate in secret as covert operations. But the National Security Agency or the Central Intelligence Agency are no less providers of public goods for all their secrecy.</span><br /><span>&nbsp;</span><br /><span>Now here is where I present the outlines of an historical argument about American foreign relations and about American imperialism:</span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">The essence of the argument is this: Americans tend to make a distinction between public and private goods, more or less along the lines I have been sketching thus far: governments provide public goods, private individuals (including commercial businesses) acting in their capacities as free men and women provide and consume private goods. Americans have generally preferred a world of limited governmental authority, in which private interests, and hence freedom, can thrive (as we shall see, the reality is far more complex than this ideological sketch.) This is why many Americans maintain a strict preference for markets rather than the political world of governmental authority: the free flow of goods and services within markets is the conceptual space where freedom is manifested and flourishes, as opposed to the world of political <span>assignations</span>&nbsp;and determinations, in which authority flourishes. Public goods, we often think, limit, even consume, our freedoms.<br />&nbsp;<br />We take these traditional attitudes into our pursuit of foreign policy. Foreign policy is carried out as a public good, about which we Americans are traditionally dubious. American officials for decades after the Revolution lamented having to engage in foreign diplomacy of any kind. The world of international statecraft was and is a world of authorities, pressures, and intrigues directed by regimes typically not accountable to &ldquo;the people.&rdquo; It is a world that generally disgusted the first several generations of American diplomats, who earned a (not always deserved) reputation in foreign courts for their alleged naivety. But they were not naive so much as they were idealistic republicans. Public statecraft, for many of these early diplomats, was often deigned a sordid world in which freedom was curtailed and individual liberty intensely threatened. International statecraft was a necessary evil for many of them, such as John Quincy Adams (ironically, one of the best practitioners of statecraft) who famously declared that t<span>he U.S. &ldquo;goes not abroad, in search of monsters to destroy,&rdquo; his picturesque depiction of this tradition of diplomatic reluctance.&nbsp;</span><br />&nbsp;<br />In more recent decades, diplomacy has caused intense political dispute. Americans only very reluctantly engaged in both of the 20th century&rsquo;s world wars, after infamous provocations. Even more reluctant still did Americans embrace the ongoing diplomatic commitments required by the Cold War, and then only to protect what they saw as the threat to private markets from the encroaching statism of the Soviet Union. Growing accustomed to the deployment of our public power -- whether military or economic, covert or overt &ndash; has been a function of the Cold War where, as numerous historians have shown, even in those heated days policy choices occasioned profound disagreement.<br /><br />Americans, in other words, enjoy a long history of engaging diplomatically with the world only reluctantly and as a last resort. This is an ironic observation to recent generations of Americans who have grown up accustomed to deployments of American power. But for very much of our history, Americans have been highly reluctant, or at least claimed they have been reluctant, to deploy American power -- military, economic, or otherwise. We are suspicious of public goods, and for much of American history that included our diplomacy.<br />&nbsp;<br />This essential distinction carries enormous implications for how Americans understand our foreign relations, compared to how outsiders understand those relations. We have battled over, and accepted only grudgingly, the extension of power abroad. But Americans have never, to any significant degree, contested their rights to extend their <em>private</em> interests abroad. Indeed, American policy has almost always stood unanimously behind the conviction that American producers, American farmers, American artists and engineers and technicians, American missionaries and religious zealots &ndash; the lot of us &ndash; should all, always, be free to sell our wares, to find new customers, to market our products and services and ideas abroad. Indeed, we have defined freedom itself, one of our most essential values, in terms of how open foreign realms are to our private interests. When they have not been sufficiently open &ndash; as we shall see -- public pressures have often been brought to bear to force such an opening.<br />&nbsp;<br />So the argument is this: defining our influence abroad in the public/private dichotomy that is traditional to Americans has disguised American empire from Americans themselves, who have never understood their <em>private </em>interests to be imperial. Taking refuge in myths of American reluctance to use its (public) power unless pressed to extremes, we tend not, until very recent times, to see ourselves as willing international players at all. Private interests do not count in this ideological formulation since they are, of course, <em>private,&nbsp;</em>merely the natural outgrowth of free individuals pursuing their God-given rights, abroad as at home. Private interests are freedom itself. They cannot be imperial.<br />&nbsp;<br />But the state is not the only carrier of American power and influence abroad, whatever claims Americans traditionally make about it. The extension of private interests, and the subtle and not subtle influence that those private interests exert around the world, has also been part of what American power means. We have in that way exerted influence around the world independent of our public statecraft. And we have not always been aware of how extensive those interests are, how powerful they are, and what consequences they hold for those on the receiving end. And despite all the foregoing about traditional American ideology, the fact is that Americans have rarely been reluctant to call upon the powers of the state, powers that they have augmented over the centuries, to protect and serve those private interests. Much of this, too, has been hidden.<br />&nbsp;<br />I&rsquo;ll be presenting lots more evidence and argumentation in the weeks to come.<br />&nbsp;<br />What are your thoughts?<br />&#8203;<br /><strong>Further reading:</strong> Frank Ninkovich, <em>The Wilsonian Century</em> (Chicago, 1999)</div>]]></content:encoded></item><item><title><![CDATA[​The Defining Nature of the Imperial Frontier]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/the-defining-nature-of-the-imperial-frontier]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/the-defining-nature-of-the-imperial-frontier#comments]]></comments><pubDate>Mon, 05 Jun 2023 18:53:29 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/the-defining-nature-of-the-imperial-frontier</guid><description><![CDATA[If you&rsquo;ve never visited, you may be inclined to think of China&rsquo;s Great Wall as a singular installation, as a very great wall, as perhaps the greatest of walls. In fact, the so-called &ldquo;Great Wall of China&rdquo; is a series of walls and fortifications built over centuries as the Chinese empire expanded northward. Walls were built for protection from marauding nomads outside of the empire, but new structures were extended northward and westward as the empire expanded. Grand as th [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>If you&rsquo;ve never visited, you may be inclined to think of China&rsquo;s Great Wall as a singular installation, as a very great wall, as perhaps the greatest of walls. In fact, the so-called &ldquo;Great Wall of China&rdquo; is a series of walls and fortifications built over centuries as the Chinese empire expanded northward. Walls were built for protection from marauding nomads outside of the empire, but new structures were extended northward and westward as the empire expanded. Grand as they were (and are), the walls did not demarcate the limit of the empire; instead, they ratcheted the empire ever further outward. &ldquo;Build and move on was the principle,&rdquo; historians Burbank and Cooper observe about these walls, &ldquo;not setting up a fixed border for all time.&rdquo; Protection was one function of the wall, but &ldquo;the wall&rdquo; was never intended strictly to demarcate the empire from non-empire. Rather, in their successive geographical march, the walls offered the ongoing contact with the outsider, non-imperial subjects &ndash; &ldquo;barbarians,&rdquo; if you will -- that is the hallmark of imperial frontiers.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/map-of-the-great-wall-of-china_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">Frontiers, it turns out, are not really barriers at all. Rather they are spaces, conceptual as much as geographical, where the imperial and the non-imperial confront each other in dynamic admixture. Frontiers may be the place where imperial civilization encounters savage barbarism, but as Turner rightly noted, that contact produced a dialectic out of which something new was produced. These interactions were cultural and technological and commercial, and as Burbank and Cooper point out, also political and military. The empire learns not only about the outside world at the frontier, but also about itself. Frontier meetings are undoubtedly asymmetrical &ndash; both sides almost certainly do not hold equal power &ndash; but they are places of meeting where mutual influence occurs in both directions.<br />&nbsp;<br />The great historian Richard White studied the places where 17th and 18th century British, British American, French, and Native American forces met. He called these places &ldquo;the middle ground,&rdquo; a place of meeting, a zone of interaction, where &ldquo;diverse peoples adjust their differences through what amounts to a process of creative, and often expedient, misunderstandings.&rdquo; From these misunderstandings &ldquo;arise new meanings and through them new practices &ndash; the shared meanings and practices of the middle ground.&rdquo; (x).<br />&nbsp;<br />Frontiers, in other words, are neither borders nor boundaries, places where influence and action are stopped. Instead, frontiers are much more like membranes, places where some interactions are blocked but others allowed to pass. It is these selections that define the character and identity of the empire itself. Through the frontier membrane passes influence, knowledge, ideas, and, yes, often violence. Coming the other way, the empire also allows knowledge to pass back to the metropole, as well as select ideas and practices. In the era of which White writes, a period of weak imperial presence at the frontier, the capacity of the various empires to control these filtering processes was limited. By the 19th and 20th century, British and American empires, with their mighty knowledge centers and their vast propaganda capacities, practiced a much more robust discrimination.<br />&nbsp;<br />Thinking about frontiers as membranes is useful because it helps us see the two very different, even contrasting, processes that occur on either side of the frontier, and why empires are still so often misunderstood in our day. Beyond the frontier, the empire is clearly a force of revision. It seeks to alter the status quo, certainly politically and economically, and therefore also culturally and ideologically. Guided by imperial ideology, empires can be, and usually are, ruthless in their pursuits of regional (or perhaps global, depending on an empire&rsquo;s reach and worldview) transformation.<br />&nbsp;<br />Inside the frontier, in sharp contrast, the empire is obliged to deliver on its promises of order. Outside all may be revisionary violence, but inside all is (intended to be) tranquility. Hence frontiers are often arenas of violence, as the insidious outside is kept at bay while the structures of order &ndash; institutions, processes, structures, expectations &ndash; are problematically established. Empires, in short, are <em>both</em> agents of revision and agents of order, and the filtering processes at the frontier demarcate and define the limits of those processes. It is this filtering that accounts, in part, for the knowledge interruptions that occur between the metropole and the frontier-lands: because metropolitan citizens are shielded from events beyond the frontier, the realities of imperial violence are often not seen, and certainly hard to believe, for imperial citizens invested in and benefitting from domestic imperial stability. It is why many Brits can enjoy a good curry in London and yet remain ignorant of the history of British violence in India. Americans&rsquo; lack of knowledge about the outside world, even as they enjoy the commercial fruits of contact with that world, are legendary. Imperial citizens, in their ignorance of imperial operations outside, may be knowledge-victims (at least of a sort) of the same frontier membrane that projects physical violence abroad.<br />&nbsp;<br />Frontiers are membranes, and as such they allow some ideas and practices to pass and others not. Borders, on the other hand, are the opposite of that. Borders reflect the surrender of the revisionary mission. Borders denote those places where the empire no longer wants to conduct its essential civilizing mission. The hardening of frontiers into borders signals the end, the furthest reach, of the empire. Think Hadrian&rsquo;s Wall. Whatever effectiveness it maintained against recalcitrant Britannic barbarians, the Wall certainly signaled that the Romans had had enough: enough transmission, enough reciprocity, enough convincing of divine mandates, enough expansion. It took some centuries more for the denouement to take place within Rome itself, but when the wall went up, the imperial light certainly went out.<br />&nbsp;<br />One clear marker of the history of American empire, and of the sclerotizing of imperial energy, and the conversion of imperial energy to imperial fear, is the evolution of the southwest: once a frontier for the (often violent) imperial energies of a restless people, it is now being steadily converted into a border. I&rsquo;ll leave it to my American readers to discern for themselves what the erection of borders and walls means for American imperial energies in lands that have historically been thought of as frontiers.<br />&nbsp;<br />Frontiers are crucial components of empire. Frontiers secure the imperial citizenry, but they also articulate the imperial mission and define imperial culture. Future discussion will focus on evolving conceptions of the frontier, especially through the twentieth century as technology transformed how Americans think of spatial relations, security, and opportunity. We will also discuss stock American hero tropes, so often men and women of the frontier, such as Daniel Boone, Davy Crockett, Sacagawea, and more, who were able to negotiate two worlds and produce out of that negotiation a meaningful third way. Their folk celebrity is itself a celebration of American empire.<br />&nbsp;<br /><strong>Further reading: </strong><br />Burbank and Cooper, <em>Empires in World History</em> (Princeton, 2010)<br />&nbsp;<br />Richard White, <em>The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815</em> (Cambridge, 1991)</div>]]></content:encoded></item><item><title><![CDATA[Systemic Racism]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/systemic-racism]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/systemic-racism#comments]]></comments><pubDate>Wed, 31 May 2023 14:38:01 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/systemic-racism</guid><description><![CDATA[The premise of this website is that individual stories can reveal larger patterns, and vice-versa: important truths can often be discerned in small or even forgotten details. In that spirit, I observe that today is the 102nd anniversary of one of the most notorious events in modern American history, the so-called Tulsa Race Riot [sic] of 1921. There are no less than a dozen thoughtful books on the subject, so readers who are unfamiliar with the riot -- better thought of as the massacre and dispo [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">The premise of this website is that individual stories can reveal larger patterns, and vice-versa: important truths can often be discerned in small or even forgotten details. In that spirit, I observe that today is the 102nd anniversary of one of the most notorious events in modern American history, the so-called Tulsa Race Riot [sic] of 1921. There are no less than a dozen thoughtful books on the subject, so readers who are unfamiliar with the riot -- better thought of as the massacre and dispossession of the black residents of the Greenwood District in Tulsa, OK -- are referred to those books, or to the reasonable synopsis on Wikipedia:&nbsp;<a href="https://en.wikipedia.org/wiki/Tulsa_race_massacre">Tulsa race massacre - Wikipedia</a>. My attention is drawn, fractal style, to the larger pattern of which the Tulsa race "riot" was one example: systemic racism in American history.<br /><br />Several years ago I attempted to visualize how racism and discrimination function in American life and throughout American history. It is of necessity a crude attempt to render such a complicated topic. But nevertheless I present for my readers&rsquo; consideration the following illustration:</div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/white-supremacy_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;">The object here is several-fold. First, the graphic aims to account for the difference between what those of us who have studied &ldquo;white supremacy&rdquo; mean by the term, and what those who seek to deny white supremacy a place in American life mean by the term. Many white Americans consider racism and white supremacy to be purely psychological, an affliction of the mind, an emotional expression, and an individual orientation to prejudice. This narrow view of white supremacy is expressed in the personal: the use of racial epithets, the joining of a racist organization, the maintenance of personal racist standards (&ldquo;I would never let my daughter date . . .&rdquo;, etc.) By reducing white supremacy to the personal, the psychological, and the individual, practitioners and beneficiaries of white supremacy can deny that there is any systemic substance to racism at all. Hence the shop-worn denial of white supremacy with the altogether inadequate defense &ldquo;I don&rsquo;t have a racist bone in my body.&rdquo;<br />&nbsp;<br />Scholars, by contrast, understand personal racism to be merely the tip of an immense, widespread, interlocking, multi-layered, and adaptive system whereby African Americans and other minorities ultimately have their labor appropriated for the benefit of an advantaged white majority. This system is complex and inventive. I stress the creative and adaptive aspects of white supremacy because as a system, it has been required to be so. That is because white supremacy runs contrary both to the U.S. Constitution (as it has evolved in jurisprudence and law) and to the traditions of equality and human rights in which many Americans have professed belief. White supremacy is a system that has emerged in lockstep with the development of American capitalism (in various historical stages) and American empire, but also in opposition to American constitutionalism, and widespread American values of equality.<br />&nbsp;<br />White supremacy&rsquo;s adaptability is the story of Jim Crow in law and culture after the end of Reconstruction (c. 1877). Having been denied free labor by the 13th Amendment, most states of the former Confederacy enacted various restrictive laws and ordinances meant to control black movement, limit black economic freedom and political power, and determine black laboring conditions &ndash; the so-called post-Civil War &ldquo;Black Codes.&rdquo; In response, the federal government passed national civil rights legislation which it sought to enforce through federal power and also black political enfranchisement in the 14th and 15th Amendments. Those protections lasted, imperfectly to be sure, through the end of Reconstruction. When federal troops and other institutions of the federal presence were withdrawn in 1877, southern states and locales re-energized their anti-black campaigns, enacting new laws, new extra-legal procedures (such as poll taxes and literacy tests), a new policing presence, and a general campaign of terror (the KKK, lynching, urban and rural violence) to impose by extra-legal means the same set of limitations on black political and economic freedoms that could, barely plausibly, be said to conform to the post-Civil War Constitutional order. South Carolina&rsquo;s state Constitution of 1895, for example, disenfranchised the state&rsquo;s black population; the grounds of the state capitol building currently showcase a memorial statue to one of the principal architects of that racist constitution.&nbsp;</div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/ben-tillman_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Memorial statue to South Carolina's Ben Tillman, guiding political hand behind the state's 1895 constitution which barred African American suffrage. The statue features prominently on the grounds of the State House in Columbia, SC.</div> </div></div>  <div class="paragraph" style="text-align:left;"><span>Where possible, southern states established a legal system that curbed black freedom while it evaded close Constitutional scrutiny; where that delicate balance could not be pulled off, white supremacists resorted to capricious violence, from lynching to what happened in Wilmington, NC in 1898 (</span><a href="https://en.wikipedia.org/wiki/Wilmington_insurrection_of_1898">Wilmington insurrection of 1898 - Wikipedia</a><span>), a precursor to the Tulsa massacre in 1921. Back of those tactics was an enveloping Jim Crow culture of racist and stereotyped depictions (minstrelsy, blackface, etc.) familiar to students of American popular culture. Jim Crow, one might say, is the backfilling of the Constitutional order with the creative legacy of racism and white supremacy that we have never been able to expunge from our body politic.</span><br /><span>&nbsp;</span><br /><span>What we have, in other words, is a system. It is a system because it is interlocking and productive of an outcome: the transference of black wealth to white ownership. It is imperfect in that it does not &ldquo;catch&rdquo; every individual. Enough escape the system to maintain plausible deniability. But the system works well enough that it has been difficult for most of the 20th century for very many African Americans to escape one layer without running afoul of another.</span><br /><span>&nbsp;</span><br /><span>I hope to elaborate additional examples of how systemic white supremacy functioned in American life, and how the hierarchies white supremacy created inform the practices of the American empire. For now, one example, this time close to home. The University of South Carolina, during Reconstruction, was open to all citizens, and actually began to admit black students after its reopening in 1869; by the early 1870s, the majority of students enrolled were black. By 1877, the newly installed white supremacist government closed the university rather than continue to matriculate black students. When it reopened in 1881, it returned to its roots as a whites-only institution; that color bar remained in place until 1963, perfectly corresponding to the period of Jim Crow. This means that for more than eighty of its post-Civil War years, from 1881 to 1963, the University of South Carolina was supported in part by the taxes paid by citizens who were formally and officially barred from admission. The white students who were allowed to attend found the technical skills and social prestige that produced careers in banking, law, finance, architecture and the arts, education, and more. This is a textbook example of the system of white supremacy in place, of transferring the economic activity of a subservient class of imperial citizens into the generational wealth of a privileged class. Every public institution of higher education in the south, and many in the north, followed this same pattern.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/university-of-south-carolina-marker4_orig.webp" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>&nbsp;</span><span>Tulsa, Wilmington, the University of South Carolina: these are fractals of a systemic pattern that is clear and evident throughout American history. Merely because we use the word "system" does not mean consistent, perfectly homogenous, or even uncontested. But the durability of racist beliefs, practices, and policies cannot be denied by any fair and knowledgeable observer of American history. Contemporary political attacks on the books and scholarship by which we understand white supremacy is just the latest iteration of this age-old process. Those attacks are the creativity and perdurability of white supremacy in action.</span><br /><span>&nbsp;</span><br /><strong>Further reading</strong><span>:</span><br /><span>Scott Farris,&nbsp;</span><em>Freedom on Trial: The First Post-Civil War Battle Over Civil Rights and Voter Suppression&nbsp;</em><span>(Lyons Press, 2020)<br /></span><br /><span>Eric Foner,&nbsp;</span><em>Reconstruction: America&rsquo;s Unfinished Revolution, 1863-1877&nbsp;</em><span>(Harper, 2014)</span><br /><span><br />C. Vann Woodward, T</span><em>he Strange Career of Jim Crow</em><span>&nbsp;(Oxford, 2001)</span></div>]]></content:encoded></item><item><title><![CDATA[A Memorial Day Reflection]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/a-memorial-day-reflection]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/a-memorial-day-reflection#comments]]></comments><pubDate>Mon, 29 May 2023 19:23:26 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/a-memorial-day-reflection</guid><description><![CDATA[&#8203;The reflection entreated of us on Memorial Day is essentially historical: for what purposes has America fought? to what aims have her soldiers, sailors, airmen, and Marines given their sacred lives? We will have ample opportunity in the coming weeks and months to consider how those seemingly similar questions might generate very different responses. History is complicated and motivations do not always align. But today, this observation:&nbsp;             Medgar Evers is buried in Arlingto [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>&#8203;</span><span>The reflection entreated of us on Memorial Day is essentially historical: for what purposes has America fought? to what aims have her soldiers, sailors, airmen, and Marines given their sacred lives? We will have ample opportunity in the coming weeks and months to consider how those seemingly similar questions might generate very different responses. History is complicated and motivations do not always align. But today, this observation:&nbsp;</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/20201230-151249_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">Medgar Evers is buried in Arlington National Cemetery. Evers, a WWII veteran, was shot and killed by white supremacists in his own driveway in 1963, returning from a meeting in his role as NAACP field secretary. Inside the house were his wife and three children, all of whom heard the gunshot that killed their husband and father.</div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/20201230-140718_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>The crime that took Evers&rsquo;s life and the war in which he fought twenty years earlier were linked by a common fascist enemy. This linkage, between Nazi race superiority abroad and Jim Crow-segregation at home&ndash;the same fight to which Evers had dedicated his life&ndash;had been made in 1942 by James G. Thompson in a letter to the&nbsp;</span><em>Pittsburgh Courier</em><span>. In that letter, Thompson called for a &ldquo;Double V&rdquo; victory: &ldquo;The first V for victory over our enemies from without, the second V for Victory over our enemies within&rdquo; since &ldquo;those who perpetrate . . . ugly prejudices here are seeking to destroy our democratic form of government just as surely as the Axis forces.&rdquo;</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/thompson-double-v_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>Evers and Thompson and a generation of Americans insisted that their sacrifices were about freedom for all, and about the democracy upon which any secure freedom must rest. Many continued to pay that price long after the guns of war went silent. Many continue to pay the price for freedom and democracy today.</span><br /><br /><span>#democracy</span><br /><span>#freedom</span><br /><span>#MemorialDay</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/myrlie-and-son_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/myrle-evers-2023_orig.webp" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Medgar Evers' widow, Myrlie Evers-Williams, who at 90 years old remains vital and active. This was not that long ago.</div> </div></div>]]></content:encoded></item><item><title><![CDATA[Americanization: A Speculation on The Diary of Anne Frank]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/americanization-a-speculation-on-the-diary-of-anne-frank]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/americanization-a-speculation-on-the-diary-of-anne-frank#comments]]></comments><pubDate>Fri, 26 May 2023 16:01:43 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/americanization-a-speculation-on-the-diary-of-anne-frank</guid><description><![CDATA[We&rsquo;ve begun to consider the intersection of American pop culture and empire in our discussion of Captain America&rsquo;s shield, below. A crucial dimension of this intersection is the reach and influence of American culture abroad, a complicated phenomenon often thought of as &ldquo;Americanization.&rdquo; Here is one of my favorite Americanization teasers:      The first diary bought as a present for Anne Frank by her parents. Courtesy of the Anne Frank House, Amsterdam.       &#8203;We k [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>We&rsquo;ve begun to consider the intersection of American pop culture and empire in our discussion of Captain America&rsquo;s shield, below. A crucial dimension of this intersection is the reach and influence of American culture abroad, a complicated phenomenon often thought of as &ldquo;Americanization.&rdquo; Here is one of my favorite Americanization teasers:</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/dagboek-voorkant-jpg-1536x1536-q85-subsampling-2_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">The first diary bought as a present for Anne Frank by her parents. Courtesy of the Anne Frank House, Amsterdam.</div> </div></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">&#8203;We know Anne Frank, young as she was, as a thoughtful and talented diarist. Readers may not be quite as aware that she also <a href="https://www.amazon.com/Anne-Franks-Tales-Secret-Annex/dp/0553586386/ref=sr_1_1?crid=2L06093LX494T&amp;keywords=Anne+frank+short+stories&amp;qid=1685062913&amp;sprefix=anne+frank+short+stories%2Caps%2C209&amp;sr=8-1">tried her hand at short stories</a>. One of those short stories was a fanciful tale, &ldquo;Delusions of Stardom,&rdquo; in which Anne&rsquo;s first-person <em>dramatis persona </em>&ldquo;Anne Franklin&rdquo; strikes up a correspondence with the real-life movie star Priscilla Lane. In the story, at Priscilla&rsquo;s invitation, Anne Franklin is whisked off to Hollywood for her first trip to America. She lives for two months with Priscilla, is invited to audition for films, and briefly becomes a model for a tennis equipment company. Quickly souring on endless make-up touch-ups and constrictive posing, and yearning for her family, Anne Franklin quits her contract and flies back to Amsterdam. &ldquo;Delusions of Stardom&rdquo; ends too abruptly, but Anne Frank&rsquo;s escapism would always come back to earth with a hard crash.<br />&nbsp;<br />As her diary reveals, Anne Frank fantasized about a life of glamor and freedom denied in her hiding place behind the pectin factory. On the wall in her shared bedroom in the family&rsquo;s secret annex, Anne taped cut-out photos of Hollywood movie stars: Ginger Rogers, Sonja Heine, Greta Garbo, Deanna Durbin, Ray Milland, and others. The Lane Sisters were there. She had other photos as well: the Dutch and English royal families, the great German star Heinz R&uuml;hmann, and photos of models and other personalities. The stars remain on Anne&rsquo;s wall to this day. One notices the preponderance of &eacute;migr&eacute; beauties who had found their own liberation in America.<br /><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/anne-frank-wall_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Photograph of Anne Frank's bedroom wall in the secret annex as currently exhibited. Hollywood star Norma Shearer is prominently featured. Other walls show other Hollywood stars. Anne replaced some of the photographs over the months she spent in hiding.</div> </div></div>  <div class="paragraph" style="text-align:left;">&#8203;<span>Rosemary, Lola, and the youngest, the vivacious blonde Priscilla Lane are not as well known today as in their heyday in the 1940s, but for a brief time corresponding precisely to Anne Frank&rsquo;s young girlhood they were as bright as any star in the Hollywood firmament. Priscilla enjoyed the longest career, and would work with the likes of Alfred Hitchcock, Cary Grant, and Frank Capra. She quit the business in the late forties, misused as were so many others by the unforgiving studio system. Anne Frank would not bear witness to Priscilla&rsquo;s later professional disappointments.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/rosemary-lola-priscilla-lane_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Rosemary, Lola, and Priscilla Lane</div> </div></div>  <div class="paragraph" style="text-align:left;"><span>The Lane Sisters&rsquo; first significant role was in director Michael Curtiz&rsquo;s 1938 romantic comedy,&nbsp;</span><em>Four Daughters</em><span>, a gauzy romance polished to the highest gloss Warner Bros. could give it, bristling with the rituals of idealized womanhood that adolescent Anne Frank would have found irresistible. The gossamer thin plot has patriarch Claude Reins presiding over the precocious four &ldquo;Lemp&rdquo; daughters as they wooed and romanced their way to independent womanhood. Priscilla played the youngest Lemp, &ldquo;Ann,&rdquo; a charismatic blonde of high energy and whimsical humor, not unlike Anne Frank herself. Besides Priscilla and her sisters,&nbsp;</span><em>Four Daughters also&nbsp;</em><span>gave birth to major Hollywood star John Garfield, in his first major vehicle. It is Garfield&rsquo;s bad-boy &ldquo;Mickey Borden&rdquo; who is pursued and won by Priscilla&rsquo;s Ann.</span><br /><span>&nbsp;</span><br /><span>I don&rsquo;t know whether&nbsp;</span><em>Four Daughters</em><span>&nbsp;made its way to pre-invasion Amsterdam in the darkening days of 1938 or 1939. But it is entirely plausible, and easy to imagine a young Anne of 8 or 10 years of age pestering her parents to take her to the local cinema before the film closed, much like she pleaded with them to buy her first diary for her 13th birthday. We&rsquo;ll never know fully what sort of hold the Lane Sisters, Priscilla in particular, may have had over the adolescent Anne Frank. But one tantalizing fact: in&nbsp;</span><em>Four Daughters,&nbsp;</em><span>Priscilla Lane&rsquo;s captivating &ldquo;Ann Lemp,&rdquo; whom Anne Frank so clearly idolized, very prominently kept a diary:</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/4-daughters-1_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">"Ann Lemp" keeping her diary, which she does at several moments in the movie Four Daughters (1938).</div> </div></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/4-daughters-3_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Priscilla Lane as Ann Lemp in Four Daughters.</div> </div></div>]]></content:encoded></item><item><title><![CDATA[Public Goods : An Introduction]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/public-goods-an-introduction]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/public-goods-an-introduction#comments]]></comments><pubDate>Wed, 24 May 2023 17:00:28 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/public-goods-an-introduction</guid><description><![CDATA[One aspect of the &ldquo;myth of the frontier&rdquo; that has contributed so mightily to American culture is the belief in&nbsp;rugged individualism: the conviction that America was (and should be) made by hearty men and women who seized a continent by their bare hands and through toil, ingenuity, and unmeasured doses of violence carved a great nation out of a wilderness. The social tropes of the west embody the myth: the stoic pioneer, the laconic cowboy, the law-skirting frontiersman, even the [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>One aspect of the &ldquo;myth of the frontier&rdquo; that has contributed so mightily to American culture is the belief in&nbsp;</span><em>rugged individualism</em><span>: the conviction that America was (and should be) made by hearty men and women who seized a continent by their bare hands and through toil, ingenuity, and unmeasured doses of violence carved a great nation out of a wilderness. The social tropes of the west embody the myth: the stoic pioneer, the laconic cowboy, the law-skirting frontiersman, even the prostitute with a heart of gold. We&rsquo;ll leave aside for the moment the historical reality of a country largely made through unpaid slave labor; here we&rsquo;re discussing myths, not historical reality, and their power. And it is a powerful myth, measured, as all myths are, by how effectively they erase competing historical truths. In this case, the truth that however much the private labors of rugged individuals made and remade the United States, and leaving for the moment slavery out of the equation, no American development would have happened without what we call &ldquo;public goods.&rdquo;</span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/canal-system-1903_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%">Map of Erie Canal courtesy of https://www.eriecanal.org/maps.html</div> </div></div>  <div class="paragraph" style="text-align:left;">By public goods we mean a whole range of provisions generally provided (in liberal society) by governments, at taxpayer expense, and available of access by all without market limitations. Public infrastructure such as roads, bridges, and tunnels are certainly one example. Defense, police protection, access to courts, and a monetary system constitute another category of public goods. Modern America provides other forms, such as parks (national, state, local), broadcast entertainment (e.g., PBS), or, in some communities, public pools and public beaches. Governments can and do provide access to certain knowledge bases, such as public libraries, or social, economic, and commercial statistics such as provided by various government agencies. The air traffic control system, run by the Federal Aviation Administration, provides another kind of example. The list is potentially endless.<br />&nbsp;<br />Both the American political right and left have largely removed public goods from the conversation: the right, for ideological and economic reasons, has argued heatedly since the New Deal of the 1930s (which provided so much of our contemporary public goods infrastructure) that public goods are &ldquo;socialistic&rdquo; and in every case inferior morally and economically to private goods. This has not always been the argument of American conservatism, as Alexander Hamilton&rsquo;s establishment of a banking system or the Whig Party&rsquo;s championing of transportation infrastructure, such as the Erie Canal, in the 1830s-50s attests. The left, which throughout much of the 20th century has been the stalwart champion of public goods, has increasingly for the last generation or two abandoned the defense of public goods in favor of a focus on identity politics.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />There are at least two essential arguments in favor of public goods which we&rsquo;ll outline here and develop in later postings. The first is that they are almost infallibly cheaper than private goods. Public goods achieve the economies of scale that guarantee lower costs, usually of production and almost certainly of use. One publicly-financed road is much cheaper to build and operate than a chain of private roads. A community (i.e., public) pool is much, much cheaper to build and operate than a warren of smaller, private, backyard pools. Imagine the costs, to say nothing of the complexity, if each airline operated its own air traffic control system.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />The second argument in favor of public goods is that, as the economists say, they are "non-exclusive." That is, individuals cannot be kept from their use by their position in the market. Put another, and I think better way, public goods are those goods to which citizens have access by <em>right</em>. It is an American&rsquo;s right to use a public park, or the interstate highway, or a community pool. By contrast, few of us would argue that a citizen has a right to an automobile or a pair of jeans; the <em>price </em>is the mechanism by which an individual registers the strength of his or her desire for a private good to which he or she does not otherwise have a right. Again, a toll may be imposed on a public good for some reason, and in contemporary society those tolls do in fact operate as a price mechanism: if you don&rsquo;t pay the entrance fee, you can&rsquo;t enter Yellowstone. Still, the distinction between price and toll is an important one, especially as it concerns rights. If you have the toll &ndash; which after all is generally kept as <em>low</em> as possible &ndash; you cannot be denied use of a public good. In contrast, even if you have the price &ndash; which by definition is kept as <em>high</em> as possible&mdash;you may still be thrown out of the Apple store.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />Nothing in the foregoing should be understood to mean that public goods produce consensus in American life. Americans have always fought over public goods. Fierce battles over infrastructure, from the Whiggish heyday to the New Deal, have defined eras in American politics, and those epic struggles have given way to even more transcendent ideological struggles in our day over public versus private goods. And throughout our history, local but no less fierce debates have occurred about what sort of public goods might be built and where they should be located. And always, always, concerns about corruption&mdash;about private contractors and their political cronies feeding at the public trough have, rightly, been at issue.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />Nevertheless there is reason to believe that public goods might get us beyond what is by now a very stale political polarization in American politics. A return to a public goods discourse would certainly re-energize and refocus the left. It also has the potential to provide political valences, and thus consensus, with a reformed right. Public goods may not solve all our political ills. But the discussion about rights is a historic sweet spot in American politics, an idea around which many of us regardless of where we fall on the political spectrum might rally. It&rsquo;s worth talking about.<br />&nbsp;<br />Expect to see much more about #publicgoods on the FractalPast blog as we develop the conversation. Share your thoughts below!</div>]]></content:encoded></item><item><title><![CDATA[Empires and Their Ideologies]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/empires-and-their-ideologies]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/empires-and-their-ideologies#comments]]></comments><pubDate>Mon, 22 May 2023 18:28:20 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/empires-and-their-ideologies</guid><description><![CDATA[Historians of empire tend to stress political, social, and economic motivations, both at the metropole and in the periphery, as the mainsprings of empire. These are important considerations that will all receive treatment in due course. Rather newer&nbsp;to the historians' toolbox is the subject of&nbsp;ideology. Ideology seems to be a part of every empire, though its importance has undoubtedly intensified in the modern period as democratic mass society has emerged as an important authorizing co [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>Historians of empire tend to stress political, social, and economic motivations, both at the metropole and in the periphery, as the mainsprings of empire. These are important considerations that will all receive treatment in due course. Rather newer&nbsp;to the historians' toolbox is the subject of&nbsp;</span><em>ideology</em><span>. Ideology seems to be a part of every empire, though its importance has undoubtedly intensified in the modern period as democratic mass society has emerged as an important authorizing context for imperial policy. Imperial ideology, of greater or lesser intensity, is characteristic of all empires and, while it may not constitute one of the purposes of empire as outlined by Professor Col&aacute;s (expansion, hierarchy, order), it is nevertheless essential.</span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">By ideology I mean the more or less coherent set(s) of animating ideas that win the participation and loyalty of people whom otherwise might balk at the pursuit of empire. Ideology constitutes the patterns by which humans understand a) how the world operates and -- even more importantly perhaps -- b) how the world should be. <em>Homo sapiens</em> is a pattern recognizing species. As the data that barrages our senses becomes overpowering, especially in human relations and human society, ideological pattern-seeking becomes even more important. Ideology is the term we give to those mental patterns of belief that help us make sense of the streams of data that assault our senses on a constant basis. As such, ideology provides both a filter to that data, sorting out what we believe important from what we believe trivial, and a shortcut to articulating solutions in a world of overwhelming challenge. At its best, ideology helps us sort the data of the world into manageable, correct, and just categories. At its worst, ideological patterns force us into maladaptive behavior even in the face of obvious contradictions.<br />&nbsp;<br />Ideology is a basic feature of humanity but is particularly important to empires. Empires differ from non-imperial states in at least one very crucial way: while nation-states generally try to accommodate themselves to an international status quo, empires assert the need or desire to change that status quo, often radically. Empires are agents of normative, even revolutionary, change in the world (more on that later), which is the point of imperial expansion. Empires assert the need to transform, restore, or in some other way alter the present course of history. In this sense, empires see themselves as trans-historical (more on empire and history later too!). Imperial ideology offers a vision of what that change should be and what might be needed to bring it into effect.<br />&nbsp;<br />But imperial ideology has an additional, paradoxical, task. Ironically, even as they assert a need for international change, empires are also agents of order, peace, and stability. Order is especially crucial if empires are to deliver the economic benefits promised to the imperial citizenry. Like all ideology, imperial ideology can help to reconcile this apparent contradiction between revolutionary change and (often reactionary) stability: most empires proclaim an ideology wherein order is the fulfillment of the imperial revolutionary mission. All empires are in this regard utopian, promising a coming paradise, be it a worker&rsquo;s paradise, or the banishment of human conflict (the &ldquo;end of history&rdquo;), the establishment of God&rsquo;s kingdom on earth, the final liberation of the Germanic peoples, or any one of a number of religious, quasi-religious, or economic utopias.<br />&nbsp;<br />Thus, empires style themselves as revolutionary and unchangeable at the same time. Much of the reconciliation of this paradox is accomplished through ideology, in particular notions of temporality: FIRST the barbarian must be subdued, THEN peace will ensue. It is also accomplished geographically, at the frontier: here on one side peace and order prevails, on the other all is savage chaos. One thinks immediately of classic ideological statements such as &ldquo;the war to end all wars&rdquo; which attempts to banish the very paradox it airs. Thus through the workings of imperial ideology geographical, political, and even historical stability are asserted even in the face of (often) revolutionary violence.<br />&nbsp;<br />Scholars have examined the ideological basis of the British empire, to give one example. David Armitage identified the seeds of the great global British empire in an idea, not about maritime colonization of the western hemisphere but rather an idea about the unification of the three kingdoms: England, Scotland, and Ireland. The empire, in other words, coalesced around the idea that England, Scotland, and Wales should be united, not in a co-equal state but in a British Empire, sorted into a classic hierarchical structure. Empire would solve the disorder of contested patrimonies and divided loyalties that characterized feudalism, making order out of disorder. Later evolution of British imperial ideology would come to incorporate the maritime sphere and the idea that British commerce, with its promises of free trade and alleged open markets, brought with it liberation from local and petty economic tyrannies. Neither English lords in the earlier period nor British voters in the latter were likely to make the exertions necessary in the absence of these apparently compelling ideological arguments.<br />&nbsp;<br />Imperial ideology is sometimes expressed in formal policy, but it doesn&rsquo;t need to be. It may be articulated in a speech, an epic poem, or a poorly conceived jailhouse memoir. Ideology can also be carried on the winds of popular culture, especially in the democratic and technological age in which we live, infusing the tropes and stereotypes by which a people come to know themselves. Like all ideologies, imperial ideas can combine, recombine, and accelerate each other, producing an imperial consensus greater than the sum of its parts.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />The ideology of the American empire has given recent scholarship no end of avenues of exploration. How an anti-imperial republic gave rise, in very short order, to a globe-bestriding continental empire, is just the beginning. The massive and extraordinarily costly deployment of American power &ndash; economic, military, and cultural -- throughout the twentieth century and across the globe in alleged support of democratization, free markets, individual liberty, and global cooperation &ndash; known to scholars as &ldquo;liberal internationalism&rdquo; or, sometimes, &ldquo;Wilsonianism&rdquo; &ndash; constitutes only a more recent paradox. That so many Americans see no paradox there whatsoever is testimony to the seductive power of ideology at work.<br />&nbsp;<br /><strong>Further reading:&nbsp;</strong>David Armitage,&nbsp;<em>The Ideological Origins of the British Empire</em>&nbsp;(Cambridge, 2000)</div>]]></content:encoded></item><item><title><![CDATA[Captain America's Shield]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/captain-americas-shield]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/captain-americas-shield#comments]]></comments><pubDate>Thu, 18 May 2023 16:24:15 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/captain-americas-shield</guid><description><![CDATA[One of the essential aims of this blog is to trace how the ideas that shape American empire are reflected and amplified by American culture, even &ndash; and perhaps especially &ndash; in American popular culture. Expect to see frequent excursions into American pop culture: coming are more than a few posts about&nbsp;Star Trek, for example, a venerable proponent of American empire. Today, let&rsquo;s consider another revered piece of pop culture, one that has been around quite a while, but which [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>One of the essential aims of this blog is to trace how the ideas that shape American empire are reflected and amplified by American culture, even &ndash; and perhaps especially &ndash; in American popular culture. Expect to see frequent excursions into American pop culture: coming are more than a few posts about&nbsp;</span><em>Star Trek</em><span>, for example, a venerable proponent of American empire. Today, let&rsquo;s consider another revered piece of pop culture, one that has been around quite a while, but which has also gotten renewed attention in the early 21st century: <strong>Captain America&rsquo;s shield</strong>.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/published/cpt-america-kirby.jpg?1684427385" alt="Picture" style="width:372;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;"><strong>Emblematic gadgetry is an essential part of our pop culture.</strong> Who is James Bond without his beloved DB5? My mind&rsquo;s eye still sees the iconic shape of Captain Kirk&rsquo;s Enterprise as a holy relic. The Lone Ranger's silver bullets, Speed Racer's Mach 5, Marty McFly's DeLorean, the list is endless. Superheroes, especially, are often defined by their heraldic accoutrements, from Superman&rsquo;s cape, to Wonder Woman's golden lasso, to Thor&rsquo;s hammer. Captain America&rsquo;s shield is a particularly important entry in this catalog. The late rise in popularity of the character as a result of the Marvel movie franchise (the character has been in existence since the 1940s) at a time of profound uncertainty over the fate and role of the American empire strikes me as highly significant.<br /><br />Captain America was born punching Hitler, and his decades-long career fighting international baddies both parallels and symbolizes the reach of American global power. That the star-spangled Captain America &ndash; his costume quite literally the American flag -- is an allegorical stand-in for American power and leadership in the postwar world is obvious.<strong> It is his peculiar choice of weaponry, however, that commands attention.</strong></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/published/cpt-america-hitler.jpg?1684427374" alt="Picture" style="width:340;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>Captain America wields a shield. It is not a magical hammer, like Thor. It is not a sword or a gun, like countless other heroes both mythical and comic-book. Captain America, in stark contrast, wields not a weapon at all but rather a <em>shield</em>, a device intended for defensive purposes. Indeed, a shield is&nbsp;</span><em>only</em><span>&nbsp;intended for defensive purposes and can fulfill no other combat role. In Captain America&rsquo;s hands, however, as is well known to every fan, the shield constitutes a formidable offensive weapon. It is a <strong>paragon of defensive weaponry that only in the flag-draped hero&rsquo;s hands becomes a supreme offensive weapon</strong>.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/captain-america-steve-rogers-franklin-d-roosevelt-new-shield_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span>The shield is also romantic, hearkening to the knights of medieval lore. Captain America, like those obvious precursors, does not have a job to perform. Rather, he has missions, even duties, to fulfill. He is a modern-day knight-errant, reluctantly called to right a wrong, armed only with a shield, not a sword or lance, and never seeking glory or reward for himself. <strong>Reluctance is coded into every aspect of his character.</strong></span><br /><br /><span>The shield embodies another aspect of the romantic. While it has lately been said to be made of scientifically advanced &ldquo;vibranium,&rdquo; and it does seem to be imbued with mystical, even magical powers, as an artifact <strong>this shield, like all shields, is relatively low-tech.</strong> Captain American going into battle armed only with his shield stands in stark technological contrast to the scientifically advanced weaponry of most of his iconic villains: Red Skull, Doctor Doom, etc. This is another part of American culture refracted through the imperial lens: American romanticism, the belief that technology and intellectualism is the tool of tyrants while a <strong>virtuous heart and&nbsp;</strong></span><strong><em>belief&nbsp;</em><span>or&nbsp;</span><em>faith</em></strong><span><strong>&nbsp;is enough to carry a hero to victory</strong>. In this regard, Captain America&rsquo;s shield functions much the same as Luke Skywalker&rsquo;s lightsaber: a visually cool bit of gadgetry that nevertheless exists as markedly inferior technology to that which it is pit against.</span><br /><br /><span>(Here we note the Captain&rsquo;s problematic origins, as a result of &ldquo;super-soldier serum,&rdquo; a great technological advancement that has always been an awkward part of the character. Those origins are quite often underplayed in favor of Steve Rogers&rsquo;s alleged inner strength. We can&rsquo;t have our heroes prevailing by virtue of technology, we need them to prevail by and through their superior heart. In the movie franchise origin film, we are led to believe it is the diminutive Rogers&rsquo;s great courage and sense of duty that allow him to survive the experiment at all.)&nbsp;<br />&#8203;</span><br /><span>Our popular culture tends to affirm what we need or want to be true. <strong>The shield embodies what we want to believe about American power: wielded only reluctantly, only against obvious tyranny, and always in the service of right, not gain.</strong> The Captain can throw the shield with unerring accuracy, from either of his skilled hands to which the shield, as if by magic, seems always to return. This unlikely boomerang effect -- explained in the movies by powerful magnets -- was the source of a memorable quip in the 2016 film&nbsp;</span><em>Captain America: Civil War</em><span>, when Spider-Man deadpans &ldquo;</span><a href="https://www.youtube.com/watch?v=cl-ZOLEwgrs">that thing does not obey the laws of physics at all</a><span>.&rdquo; Indeed it does not. But in so doing, the shield does obey the apparent laws of imperial culture: it demonstrates that the hero&rsquo;s power and prowess is wielded reluctantly, from a superior emotional intelligence, and always, always in the cause of justice.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.fractalpast.com/uploads/1/4/0/5/140546382/captain-america-ricochet-display_orig.webp" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[The Political Economy of Empire]]></title><link><![CDATA[https://www.fractalpast.com/old-blog/the-political-economy-of-empire]]></link><comments><![CDATA[https://www.fractalpast.com/old-blog/the-political-economy-of-empire#comments]]></comments><pubDate>Mon, 15 May 2023 15:44:46 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.fractalpast.com/old-blog/the-political-economy-of-empire</guid><description><![CDATA[The relationship of capitalism to modern empire is of paramount importance, but of unclear significance. For some, like Hobson and Lenin, empire is the apotheosis of capitalism, its logical and inevitable product and endpoint. For others, like the economist Joseph Schumpeter, capitalism is antithetical to empire, its free markets a solvent of empire&rsquo;s inherent tyranny. Capitalism is undoubtedly a crucial component of early modern empires, including the Spanish, Dutch, French, and British e [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span>The relationship of capitalism to modern empire is of paramount importance, but of unclear significance. For some, like Hobson and Lenin, empire is the apotheosis of capitalism, its logical and inevitable product and endpoint. For others, like the economist Joseph Schumpeter, capitalism is antithetical to empire, its free markets a solvent of empire&rsquo;s inherent tyranny. Capitalism is undoubtedly a crucial component of early modern empires, including the Spanish, Dutch, French, and British empires. But vital and dynamic empires existed long before capitalism as we know it. We will continue to explore in detail the relationship between capital and empire, especially in the modern context. For now, let&rsquo;s register a few broad points about the political economy of empire.</span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">Accounting for the full range of economic activities, throughout history, and especially given modern corporate arrangements with their multi-national identities and complicated public-private relationships, is beyond the scope of one blog post. But we can note two stable dimensions of every empire&rsquo;s political economy: their essential balance-sheet&nbsp;<em>raison d'&ecirc;tre</em>&nbsp;and their differentiated social base.<br />&nbsp;<br />Empires often appear to be enterprises of military conquest, and their broad catalog of violence rightfully attracts condemnation. But in fact empires are, at heart, economic activities. Their primary function is to produce economic benefits that flow into the metropolitan core. Empires exist to enhance, increase, or accelerate access to goods and services for imperial citizens. There are multiple means to accomplish this end including conquest and theft, political incorporation of one sort or another (e.g., colonization), or imposed or negotiated trade, rent, or arbitrage arrangements.<br />&nbsp;<br />Like any well-run business, an empire seeks to maximize profits and minimize costs. The cost of war and military excursions are extraordinarily high. Thus, and contrary to what many critics of empire assert, empires do not habitually and casually engage in military adventurism. They can miscalculate, of course, and in many circumstances may deploy military force with murderous intent. But such deployments are very often the last resort, not the first. British forces were often as not sent in force to a region as a contingent response to a deteriorating imperial situation, not as an advance guard; read about Gordon in Khartoum, for instance. American military advisers in Vietnam were not the initial deployments of an inevitable military escalation. They were deployed in the hopes that they would be the last military intervention needed. The subjugation of Native Americans took many decades not because it wasn&rsquo;t ruthless (indeed, it was) but because it was haphazard; policymakers first pursued the less costly alternatives (so it was thought) of relocation or cultural subjugation. When full-on military conquest was pursued, even that was piecemeal. We misunderstand empires (and their domestic support) when we suppose that their primary calling card in the world is military conquest. On the contrary, empires are always done on the cheap.<br />&nbsp;<br />To achieve the economies of scale empires seek, a primary goal of imperial economics is to displace or dilute costs, to offload the bearing of costs to others. Hence empire always requires a subservient class, perhaps domestically and certainly internationally. Hence the near-universal reliance on some sort of slave or quasi-slave laboring class at home and abroad: Athenian helots, Roman slaves, Ottoman Janissaries, Spain&rsquo;s New World &ldquo;Indians,&rdquo; colonized plantation workers across time and space. The domestic underclass will generally be typed and understood as foreign regardless of its location, as not quite the human measure of the dominant class, or as connected to the foreign periphery rather than to the nation. This has implications for imperial citizenship and the production of belonging which is one of the empire&rsquo;s primary benefits. A subjugated class so defined in law and culture displaces costs to the periphery and concentrates benefits at the metropole. Subjugated classes usually have little or no political voice. The social structure of empire thus works to proliferate support for empire.<br />&nbsp;<br />Another way to lower costs is to pursue economies of scale. Increasing the scope of the empire&rsquo;s range and interests will generally lower unit costs: more sugar plantations means lower sugar costs for coffee drinkers back home. But economies of scale are also achieved within imperial society. That is, all empires rest on a foundation of a highly differentiated, specialized, and expert social base at home. Whether capitalist or not, a necessary foundation for empire is a dynamic and differentiated metropolitan society.<br />&nbsp;<br />Diversification of function is crucial, because only an array of competencies can provide both the interest and the administrative functionality on which all imperial activity rests. Michael Doyle has made the crucial observation that an empire is the transnational extension of domestic life. For this extension to occur, agents and interlocutors, commercial and military actors, administrative and legal functionaries, and much more, are necessary. These are the commercial and trading people that forge overseas political and commercial links, and the lawyers, accountants, middlemen, shippers, insurance agents, and so forth, that structure those connections. This is as true of ancient Athens as it was true of the modern British empire. States that are largely or exclusively agricultural are unlikely to have the array of expertise and interest on which empire rests, and unlikely as well to provide the governing apparatus necessary to imperial activity.<br />&nbsp;<br />The differentiated social base is a part of the political economy of empire and does several important things for it. First, a differentiated social base means lots of different economic interests are at stake in any given foreign policy question, increasing the potential scope of support for imperial activity. Think of the merchants, shipbuilders, sailors, slave traders, insurance agents, plantation owners, middlemen, warehouse operators, retailers, and consumers, and their associated political representation, to name only a few groups involved in the British sugar industry alone. This wide diversity of interest also provides enormous problem-solving and creative leverage potential. As we will see later, the seemingly infinite range of private American interests has given the American empire unrivaled scope to address the endless challenges it faces abroad.<br />&nbsp;<br />Because many types of labor are displaced by the empire to the periphery, intellectual and administrative talent can develop within the metropole. More functionality is achieved at lower cost. Hence specialization at the metropole is crucially important. A kind of virtuous cycle sets in motion, with a differentiated social base giving rise to imperial expansion, which then necessitates further refinement of function and expertise. Circuits of knowledge and practice are established, requiring yet further administrative and managerial attention. This further differentiation offers additional interest and pathways for expansion, and so on. Doyle refers to this, in a nod to the historical development of Roman administrative efficiency, as the &ldquo;Augustan threshold,&rdquo; when the interest group penetration of the state has proceeded far enough that the economic interests of the state become institutionalized, regularized, and extended throughout the empire so that imperial administration becomes self-sustaining across the empire &ndash; for a time.<br />&nbsp;<br />The search for a positive balance-sheet and the diverse social basis of empire: we&rsquo;ll get a lot of mileage out of those two basic political-economic facts of empire. To maximize benefits along a stratified social hierarchy that generates the interest, produces the expertise, and conducts the work of empire, this is the basic political economy of empire. The tactics of empire &ndash; how benefits are to be won and costs displaced &ndash; is a topic for subsequent posts, and these tactics constitute a realm of particular genius for the American people. More coming.<br />&nbsp;<br /><strong>Further reading</strong>: Michael W. Doyle,&nbsp;<em>Empires</em>&nbsp;(Cornell, 1986)</div>]]></content:encoded></item></channel></rss>